Hannah’s practice is informed by her fascination with narrative and performance, and manifests through references from film and theatre sets. In using these stills, often ambiguous in their context, the imagery depicted may feel curiously familiar to the viewer. 

As an audience member, and much like watching a play, you are invited by Hannah’s work to consider your own personal storylines, and the characters you may empathise with, comparing your lived reality to the fictive narrative.